The Lost Thing book review

Thursday, December 31, 2009

Hi everybody, I'm sorry I haven't done anything on BSC for fraggin' ages - I was planning to do a Christmas post but I just had no time - so much stuff! Now that I've settled down a little (I'm currently in Nelson) I've finally been able to sit down and do some serious reviewing! This book is not really what I usually do here but since Shaun Tan is such a brilliant and awesome artist I just had to. Here's the low down:

THE LOST THING (LOTHIAN, 2009)

Story & art by SHAUN TAN

SYNOPSIS: A young bottle-top collector stumbles upon a strange creature on the beach. It seems friendly enough but seems to have no real place -- it is just lost. He takes the lost thing home but realizes he can't keep it hidden forever. A shady organization offers to take it away but the boy eventually finds a place for the lost thing to live -- a utopia of other lost things. At the book's end, the boy reflects on how he doesn't see many lost things anymore; "Maybe there aren't many lost things around anymore. Or maybe I've just stopped noticing them. Too busy doing other things, I guess."

THE ART: Shaun Tan is a brilliant surrealist with a wacky fetish and a slight steampunk fixation. He is an expert painter, and this books demonstrates fully the masterful work he does. The exaggerated, surreal and yet quite mundane setting is expertly rendered and, despite the slight looseness of the painting, it looks amazingly realistic. The architecture and objects suggest a grubby, rubbish-infested, conformist, half-utopian half-dystopian society that has little time or place for anything out of the ordinary. The background on which the photo-like illustrations are placed is a collage of Shaun's father's old physics textbooks, which gives a scrapbook look that is simply beautiful. Though the characters are cartoony and surreal, they interact very well together. Shaun's plain weird design for the lost thing amazes me; a giant pebble-crab-cum-squid creature inside a large bright red pot-belly stove - that eats Christmas decorations? That's cool. Shaun obviously wanted to create something that would be completely out of place in this suburban town - it's umcomfortably large, organic, and has no apparent purpose - hence the little time others have for it. Truly, this sophisticated picture book is a work of pure art. A surrealist triumph.

THE STORY: With this book I was tempted to focus only on the art and not touch on the story, but it must be done. Though this book can be enjoyed by all ages, it works on multiple levels and has immensely deep meaning; the "retro-future" setting references to dystopian futures, the suburban setting showing the spread of humanity across everywhere - there are virtually no animals or plants left (only pets). The lost thing is the embodiment of anyone that has been excluded from life, anyone who never seems to fit in and is alienated by everyone. Shaun Tan has packed this book to bursting with symbolism, and if you know where to look you'll fins it in almost every panel. One of the recurring symbolistic devices is the squiggly arrow that the boy uses to locate the lost thing utopia appears on every page, usually juxtaposed by another, straight and ordinary, arrow that points the other way; signifiying the utopia goes against the norm, that no-one's interested in it. The boy's ending words (seen in the synopsis) clearly show that much-used - though not cliched - theme of kids losing their imagination and ability to notice magical/ weird creatures. The matter-of-fact prose gives nothing away of the nature of the creature or setting, instead the art combines beautifully with it to create a quirky and well-executed book. And the last images of the tram, zooming out into an eerie image of thousands of trams driving along. A conformist reference that intrigues and scares. So, the results overall:

ART RATING: 10 out of 10
STORY RATING: 9.5 out of 10
OVERALL RATING: 10 out of 10

FAVE QUOTE: Boy: I hid the thing in our back shed and gave it something to eat, once I found out what it liked. [The lost thing likes to eat Christmas decorations. Go figure.]

VERDICT: A beatiful book with stunning art that blows you away. Able to be enjoyed by all ages but with deeper meaning that suggests a darker side. Prose and art combine synbiotically to make a masterful sophisiticated picture book. This one will probably be at your local library, and check out Tan's website! Rated 10 out of 10.

Fanbot's review: Shaun Tan's The Arrival

Saturday, December 19, 2009

I mentioned this in my last book review, and now I've got hold of a library copy it's only fair I review it for you peeps out there. This book is perhaps Shaun Tan's masterpiece - he spent four years meticulously researching and developing this book. And boy, does it show. With only graphite pencil on paper, he has created illustrations that defy description. They are almost photographically realistic, and make you believe completely in the story. The Arrival is a silent, textless, visual tale of a male immigrant who leaves everything behind to find a new life in a faraway country. The country he arrives in is enormous, and everything is new and alien to him. The book sees him, armed with nothing apart from a suitcase and foreign currency, struggle to find shelter, food and some kind of job, with eventual success. In this journey, he meets amazing people who were once immigrants like him, and they retell their equally heart-rending tales of emigration.

Shaun Tan has created a universe in this book. Everything from the landscape to the letters on billboards and maps, and even new, alien-like animals that help the immigrant along the way. New technology is seen (flying tugboats and balloon-lifted cupboards to name a few). The concept is nothing we haven't seen before, but Shaun Tan has taken it and turned it on its head, then pulled it inside out and dissected it. He has created a poignant, heart-warming and some-what eerie tale of sorrow, separation and confusion. This may be a picture book, but it is not for little kiddies. The Arrival, as with all Shaun's books, leaves you thinking deeply about all you have seen within the book. This book challenges you to wonder about it.

VERDICT: There is absolutely nothing in this book that has not left me dumbfounded and humbled. This is definitely the most staggeringly amazing book in the universe. if you want to learn more, then go to www.shauntan.net for more info. Rated 10 out of 10.

WELCOME TO THE LIBRARY OF INFINITY.

Greetings, literay travelers. Welcome to the Library of Infinity - the largest and possibly most comprehensive library in the known universe (well, it will be eventually!!). It is here that you will find reviews, comments, synopses and musings on everything from comics and novels to newspaper strips and movies.

Again, welcome. Come over to the dark side...

Fanbot's review: And Another Thing...

AND ANOTHER THING... (Eoin Colfer) Douglas Adam's Hitchhiker's Guide to the Galaxy, book 6 of 3

When sci-fi writer extraordinaire Douglas Adams died in 2001, fans across the world were shocked. He had planned to write a final sequel to the very bleakly ended Hitchhiker's Guide to the Galaxy: Mostly Harmless. We were left hanging with Ford, Trillian, their teenage daughter Random, Ford Prefect and an alternate version of Trillian about to be blown up on an alternate Earth by the Grebulons. Needless to say, all your characters about to die is a pretty frustrating ending, so Doug's wife asked Eoin Colfer (Artemis Fowl) to write the last book. And here it is. The title is an in-joke line from HG2TG: So Long, and Thanks For All the Fish:

The storm had now definitely abated, and what thunder there was now grumbled over more distant hills, like a man saying And another thing…" twenty minutes after admitting he's lost the argument.

Funny to those of us who have read the series. Anyway, here's the review:

Well, technically, because Eoin wrote this and not Adams, And Another Thing... is fan fiction. But it is an exquisitely done fan fiction. The story flows well and is gripping, with believable, complex characters that fit the story perfectly. Colfer has written in Adam's style to the letter. It actually sounds more Hitchhiker's-esque than the other books (though Guide Notes replace the random, narrative comments). The story ticks along in the same backwards, insane way that Adams wrote for all the books past Restaurant at the End of the Universe. You never see any of the events coming until they actually happen; Wowbagger's re-appearance, the room made of sky, and even some Norse Gods (the piece de resistance) thrown in. The ending, which I won't spoil for those of you, is very Adamsian in its ridiculosity (is that a word?) and kind of fits in a weird way. Because this one's written in postmodern times, there are a lot of references and subtle plot devices that reflect the time it is written. Wowbagger's uber fast Sub-Etha connection leaves our superfast broadband in its wake. Throw in some multiple universes, alternate selves, a virtual world and previous events that haven't happened yet (with who else but the ONE-headed, three-armed Zaphod), this is Colfer at his finest. Douglas would be pround of you. "You have done well Lord Vader."

VERDICT: An exquisitely executed end to the best sci-fi series in the world. I'm proud to own it. Rated 10 out of 10.